History of the Goose Family.
Cotton Mather And Mother Goose.
MR. EDITOR:--Your correspondent, N.B.S., has so
decisively given a QUIETUS to the question as to the birthplace
of Cotton Mather, that there is no danger of its ever being revived
again. But there is another question of equal importance to many,
to the literary world in particular, which should in like manner
be put to rest. WHO WAS MOTHER GOOSE? and WHEN were her melodies
first given to the world? These are questions which have been
often asked, but have never been satisfactorily answered. The
recent publication of a book called "Mother Goose for Old
Folks" has again revived these questions, which serves to
show that the subject has not yet lost its interest.
Many persons imagine that Mother Goose is a myth,--that
no such person ever existed. This is a mistake. MOTHER GOOSE was
not only a veritable personage, but was born and resided many
years in Boston, where many of her descendants may now be found.
The last that bore this ancient paternal cognomen died about the
year 1807, and was buried in the Old Granary Burying Ground, where
probably lie the remains of the whole blood, if we may judge from
the numerous grave-stones which mark their resting place. The
family originated in England, but at what time they came to this
country is unknown,--but probably about the year 1656. This was
the "Wealthy family of Goose" which is immortalized
by Mr. Bowditch in his book of Suffolk Names, who at the same
time has immortalized himself. They were landholders in Boston,
so early as 1660. Nearly half the space between West and Winter
streets, on Washington street, and extending westerly towards
Tremont street, 275 feet belonged to this family, as did also
a large tract of land on Essex, Rowe, and Bedford streets, upon
which now stand two churches and a large number of dwelling houses.
SO MUCH FOR MOTHER GOOSE. Now for her melodies.
It is well known to antiquarians that more than
TWO hundred years ago there was a small book in circulation in
London bearing the name of "Rhymes for the nursery; or Lulla-Byes
for Children," which contained MANY OF THE IDENTICAL PIECES
which have been handed down to us and now form part of the "Mother
Goose's Melodies" of the present day. It contained also other
pieces much more silly, if possible, and some that the AMERICAN
types of the present day would refuse to give off an impression.
The "cuts" or illustrations thereof were of the coarsest
description.
The first book of the kind known to be printed in
this country bears the title of "Songs for the Nursery; or,
Mother Goose's Melodies for Children." Something probably
intended to represent a goose with a very long neck and mouth
wide open, covered a large part of the title page, at the bottom
of which, Printed by T. Fleet, at his printing house, Pudding
Lane, 1719. Price, two coppers. Several pages were missing, so
that the whole number could not be ascertained.
By the record of marriages in the City Registrar's
office, it appears that in "1715, June 8, was married by
Rev. COTTON MATHER, THOMAS FLEET TO ELIZABETH GOOSE." The
happy couple took up their residence in the same house with the
printing office in Pudding lane. In due time their family was
increased by the birth of a son and heir. Mother Goose, like all
good grandmothers, was in ecstasies at the event; her joy was
unbounded; she spent her whole time in the nursery, and in wandering
about the house, pouring forth, in not the most melodious strains,
the songs and ditties which she had learned in her younger days,
greatly to the annoyance of the whole neighborhood--to Fleet in
particular, who was a man fond of quiet. It was in vain he exhausted
his shafts of wit and ridicule, and every expedient he could devise:
it was of no use--the old lady was not thus to be put down; so,
like others similarly situated, he was obliged to submit. His
shrewdness, however, did not forsake him; from this seeming evil
he contrived to educe some good; he conceived the idea of collecting
the songs and ditties as they came from his mother, and such as
he could gather from other sources, and publishing them for the
benefit of the world--not forgetting himself. This he did--and
thus "Mother Goose's Melodies" were brought forth. The
adoption of this title was in derision of his good mother-in-law,
and was perfectly characteristic of the man, as he was never known
to spare his nearest friends in his raillery, or when he could
excite laughter at their expense.
COTTON MATHER AND MOTHER GOOSE thus stand in juxtaposition;
and as the former was instrumental in cementing the union, which
resulted in placing the latter so conspicuously before the world,
it is but just that it should be so,--although the one was a learned
man, a most voluminous writer, and published a great many books,
some wise and some foolish, it may well be doubted whether any
one, or all of them, together, have passed through so many editions,--been
read by so many hundreds of thousands, not to say millions,--put
so many persons to sleep, or in general done so much good to the
world as the simple melodies of the other.
Requiescat.
|